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Alfred "Tubby" Hall (October 12, 1895 – May 13, 1945) was a jazz drummer.〔() Levin, Floyd, ''Classic Jazz: A Personal View of the Music and the Musicians'', University of California Press, 2002, p. 34. ISBN 978-0-520-23463-5. Retrieved May 20, 2010.〕 Hall was born in Sellers, Louisiana; his family moved to New Orleans in his childhood. His younger brother Minor "Ram" Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit.〔() Chilton, John, ''Who's Who of Jazz: Storyville to Swing Street'', Da Capo Press, 1985, p. 132. ISBN 978-0-306-80243-0. Retrieved May 20, 2010.〕 In March 1917 Tubby Hall moved to Chicago, Illinois, where he played with Sugar Johnny Smith. After two years in the United States Army, returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson's Orchestra (recording with it in 1927) and later with the groups of King Oliver, Jimmie Noone, Tiny Parham, Johnny Dodds.〔(Biography by Scott Yanow at allmusic )〕 Noted swing and big-band drummer Gene Krupa said that Hall and Zutty Singleton "...were great! They knew every trick and just how to phrase the parts of the choruses behind the horns, how to lead a man in, what to do at the turn-arounds, when to use sticks and when to use brushes, when to go for the rims or the woodblocks, what cymbals are for."〔Klauber, Bruce H. ''World of Gene Krupa: That Legendary Drummin' Man''. Pathfinder Publishing, 1990, p. 22. ISBN 978-0-934793-28-5. Retrieved May 20, 2010.〕 For some years he played with Louis Armstrong, and is seen in Armstrong's movies of the early 1930s, including the live action and Betty Boop cartoon ''I'll Be Glad When You're Dead, You Rascal You'' (1932) and ''A Rhapsody in Black and Blue'' (1932), made by Paramount.〔() de Toledano, Ralph ''Frontiers of Jazz'' Pelican Publishing, 1994, page 75. ISBN 978-1-56554-043-9. Retrieved May 20, 2010〕 Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped "jungle natives" in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.〔() Goldmark, Daniel, ''Tunes For 'Toons: Music and the Hollywood Cartoon'', University of California Press, 2005, pp. 90, 91. ISBN 978-0-520-23617-2. Retrieved May 20, 2010.〕〔() Slobin, Mark, ''Global soundtracks: worlds of film music''. Wesleyan, 2008. pp. 18, 19. Retrieved May 20, 2010.〕 His drumming style was forceful and sober, generally maintaining constant tempo on the snare. Jazz critic Hugues Panassié considered him one of the three greatest jazz drummers of his generation, along with Zutty Singleton and Warren "Baby" Dodds.〔() Panassié, Hugues, ''The Real Jazz'', Smith and Durrell, Inc., 1942. Second printing August 1943, pp. 154, 155. Retrieved May 20, 2010.〕 Tubby Hall died in Chicago.〔 ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Tubby Hall」の詳細全文を読む スポンサード リンク
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